We look at the history of Freaks 4U Gaming, an esports agency that has become a media & entertainment success story 

Esports is becoming big business for audio providers, as well as offering the opportunity for innovative, highly integrated productions

The broadcast of the Olympics is itself an Olympian feat – and one that gets more complex and impressive with each passing Games

AWS and partners showcased a real-time filmmaking workflow at the HPA Tech Retreat’s Supersession

New mixed reality technologies turned the HP Omen Challenge 2019 into the ultimate immersive experience for CS:GO fans

As rights holders work to reach more platforms with more content than ever, a multi-pronged approach to security is essential

Putting together an esports broadcast requires some careful thinking, as well as knowing what you’re getting yourself into

MPS 2020 have released the following statement amid COVID-19 concerns

FEED visits the labs of a company researching and building the media tech landscape for the next decade

Dalet’s new StoreFront solution turns internal content libraries into outward-facing opportunities for revenue

To meet the changing needs of developers and end users, castLabs has upgraded its SDK for browser-based video players

Cyberthreats are all around us. You had better come up with a plan

This month’s issue looks at a company pioneering flexible LED backdrops as an alternative to VFX

When Christina Caljé joined Autheos as a founder, the company offered a content management platform that helped firms publish video on e-commerce sites

As a publisher of business magazine Die Macher (The Makers) David Böhm is keenly aware of the challenges facing the news industry

As a teen entrepreneur and self-taught web and streaming developer, James Mulvany was drawing a full-time income from his first start-up before he’d even finished secondary school

Antourage aims to enable football clubs or leagues who own video channels to manage and authorise who can stream, and to where

Media Distillery offers a suite of AI-based products to help with search, recommendations, a better UI and easier monetisation

Zappar develops interactive packaging and promotional materials to engage consumers in a new way

Didja started life as a mobile app that allowed users to clip the best stuff on TV, but the VCs who invested in the company were after a stronger idea to realise the potential of the platform they had invested in

One of the rising stars at last year’s NAB trade show: a virtual clipping company which hails from the education sector

Motion capture: Technology previously associated with big-budget movies is migrating to esports

GAME THEORY: NexD has had enviable success for blue-chip companies such as Samsung, Adidas and Nissan

HoloMe is a London Bridge-based start-up that Amstutz founded in 2017, producing AR software for creators and brands that allows people to exist in hologram-like form