With the proliferation of streaming video services, watching TV is starting to become a chore. Reelgood has a solution
Lotte Louise de Jong’s art experiment exposed AI to adult content – with some surprising results
Will new connectivity tech create a more unified society, or a more fractured one?
Videofashion’s archive of five decades of the fashion industry is being given new life by AI
There is an explosion of virtual set technologies. Once reserved for top-tier broadcasters, video magic is now becoming available to anyone
Machine learning is only as smart as the humans training it. Given human fallibility, what does our AI-augmented future look like?
Weavr Consortium is a UK-funded project using data and AI to make esports a fully immersive experience.
Innovative solutions from Dejero allowed Next Up Digital to deliver a robust live stream of the latest Ironman Australia race using 4G mobile networks
Dalet is using data to create better experiences for viewers – and helping viewers create better experiences for themselves
Software-defined visual storytelling promises a content creation world of greater flexibility and service to customers
Forbidden Technologies was doing cloud-based video editing before most companies thought it was possible. The company’s new incarnation, Blackbird, aims to takes its pioneering technology mainstream
Adult video companies are fighting back against free content using direct monetisation, elearning, VR and smart sex toys
HQ Trivia is a pioneer behind interactive game shows on mobile. Companies like Primetime are taking the format to the next level
We asked some of our friends about the past year and their hopes for 2020
A new channel powered by AWS allows fans of keirin cycle racing to keep track of all the action, with lower latency than ever before
How BT Sport is leading the way in media tech innovation with experiments in live VR and 360 part of its DNA…
Advertising is one of the most rapidly developing parts of the digital media ecosystem. This month, we ask our experts to help us understand the opportunities for advertising in this new environment and what it might look like in the future
As artificial intelligence becomes ever more sophisticated, should we be scared of the inevitable changes… or optimistic?
The IBM Player can help sports teams improve, enhancing the viewer experience through added content. We find out how it all began
The next decade is going to require a rapid decarbonisation of the global economy, so what’s the future of industry networking?
Wirewax describes itself as a creative video technology, which manifests itself primarily as an interactive video studio where its customers can upload videos and use its computer technology – which understands those videos – to make them interactive via creative layers.
A new start-up is aiming to put AI-driven video production into the hands of creators
HoloMe is a London Bridge-based start-up that Amstutz founded in 2017, producing AR software for creators and brands that allows people to exist in hologram-like form
Streamix is a multi-camera live streaming and cloud-based video mixing application for smartphones for people without high-level production skills or big budgets
Holographics is a start-up that evolved out of the Amsterdam-based video production firm, Stream My Event
Ameen Abdulla is the CEO and founder of Soundwhale, a creative platform that allows users to control their mix for videos
Rippla’s aim is to bring concert streaming away from computers and mobile phones and back into the venues
Danish-born, London-based Michael Moss had identified was a need in the market for an AI-driven media-editing tool that analyses existing content and cuts it down into teasers for show promotion, which could be personalised according to user preferences.
In Start-up Alley, we take a look at an machine learning algorithms for OTTs
The Hamsa hand is an ancient Middle Eastern amulet symbolising happiness, luck, health and good fortune. In Hebrew, it also represents the number five. So, for five Israeli developers looking to stake their claim in the VR gaming market, the name is appropriate.
Creative AI is a field that has underpinned Eric Risser’s entire career, he believes his start-up, Artomatix, can solve some of the pain points in industries using 3D-generated graphics.
At the grand old age of nine, Axonista is more of a scale-up than a start-up, but it’s still a significant presence in Dublin’s tech scene.
Hendrik Dacquin has always been interested in the interaction of broadcasting, interactive media and gaming – it’s a confluence he’s been circling for most of his career.
Erika Lust is an icon of feminist porn filmmaking, she makes the films she would like to watch herself – but in a world of mass piracy, her artisanal approach …
Vualto provides video on-demand services for big broadcasters and big government. FEED talks to company co-founder Camilla Young about the history of streaming, VOD developments and getting more girls into IT
Dr Taha Yasseri from the Oxford Internet Institute discusses the influencer economy and how ‘group think’ affects us more than we like to admit
Geert Lovink is a Dutch activist and writer on digital technologies. His Sad by Design book is a collection of essays on the evolving – or devolving – state of our digital reality
Sabina Hemmi is co-founder and CEO of Elo Entertainment, the company behind gaming data sites Dotabuff, Overbuff, Fortbuff, Artibuff and Trackdota. She talks to FEED about being a tech entrepreneur, the beauty of data and negotiating sexism in the games industry
The Weather Company’s editor in chief and global head of video, Greg Gilderman, and executive editor of Weather.com, Kevin Hayes, on providing climate information through video, podcasting and raw data
We continue the exploration of our round table content management scenario with an in-depth analysis from one of the world’s top film archivists.
Brian Scheil’s production company started during the early days of streaming. A firm believer in LiveU streaming technology, he is now called on to stream live content in high-profile and data-challenged environments
Nonny de la Peña has been called the ‘godmother of VR’. She talks to FEED about the power of VR to transmit real life experiences and ways of making VR creation more accessible
Stephen McConnachie, BFI’s head of data and digital preservation, talks to FEED about building an archive, open source formats and digitising 100,000 titles in five years
Digital Creativity Labs at the University of York is a centre for studying the impact and possibilities of the rapidly growing genre of esports. Dr Florian Block leads the team and believes esports can unlock a whole new world of data analytics and content production
FEED talks to Aaron Matthews, Bafta’s head of industry sustainability, about saving the planet through the Albert Consortium, one episode at a time