The British Film Institute (BFI) is one of the world’s oldest and largest moving image archives. Stephen McConnachie, BFI’s head of data and digital preservation, talks to FEED about building an archive, open source formats and digitising 100,000 titles in five years.
The Digital Creativity Labs at the University of York have become a centre for studying the impact and possibilities of the rapidly growing genre of esports. Dr Florian Block leads the team and believes esports can unlock a whole new world of data analytics and content production.
FEED talks to Aaron Matthews, BAFTA’s head of industry sustainability, about saving the planet through the Albert Consortium, one episode at a time
Tech companies rise and fall, but Ross Video has been a steady presence in the broadcast industry for decades. We talk to CEO David Ross about how his company has gone from strength to strength in a famously fickle business.
Entering its second century, the Society of Motion Picture and Television Engineers (SMPTE) had adapted to an all-digital world. SMPTE executive director Barbara Lange is leading the industry’s most venerable standards body into the brave new world.
Boundless Mind co-founders Dr. Dalton Combs and Ramsay Brown know how your brain works. Their company (previously Dopamine Labs) has created an artificial intelligence platform that helps apps, games and interfaces to …
This month we talk with Richard Berger, the new CEO of MovieLabs.
Richard Mills has worked at the forefront of new imaging technologies for years. He is now focusing his expertise on capture for augmented and virtual reality, and the applications seem endless.
In these turbulent times, politics isn’t just for politicians. George Osborn (not to be confused with the former UK Chancellor) tells us why Brexit is such a big issue for …
Stephen Mai has headed marketing for major media brands, including MTV, Vice Media UK and the globally popular LADBible website. His innovative work at LADBible turned a site full of …